press
2020
-Public Service
University Infection Prevention
-Article
Arts Journal
DanceBeat Deborah Jowitt on bodies in motion, 5/6/2020
-Article
Artistic Director Stephen Pier on the 25th Anniversary of Hartt Dance at University of Hartford
The Dance Enthusiast 1/27/2020
2019
-Guest Performance Review
Limón Dance Company: Enduring Legacy
Jerry Hochman Critical Dance 6/1/2019
Límon Dance Company: Spring 2019 Season
By Sheila Kogan Theater Scene 6/1/2019
Limón Dance Company @ The Joyce
2018
-Article
Meet The Student Dancers In The Greater Hartford Academy Of The Arts Choreographers Showcase
COURANT.COM 10/18/2018
2015
-Article
Dance: A Hidden Gem: The Hartt School Dance Division
By Dawn Lille
ART TIMES Fall 2015
-Interview
Article from José Limón Company News Letter :
Former Company member Stephen Pier recently returned from setting "The Unsung" on the Royal Danish Ballet, so we asked him to write about his experiences.
-Choreography
May 30, 2013
Rite of Spring "Sacrificial Dance"
The Hartford Symphony
the Belding Theater at the Bushnell Center for the Performing Arts
.
June 1, 2013 by JEFFREY JOHNSON
The "Rite" was originally a ballet, and Stephen Pier from The Hartt School Dance Division choreographed the "Sacrificial Dance." Jane Cracovaner and Christopher LaFleche emerged during the tense and expectant music just prior to the fierce final section where a young maiden dances herself to death as a sacrifice to the Earth in order to regenerate spring. LaFleche created a hypnotic presence that made the ritual seem destined to move forward. Cracovaner impressed with a unique fluidity and unrelenting physical energy. The dancers embodied the beautifully disturbing sense of this musical passage. It was a memorable way to close the concert.
-Film
Salomé
The IMZ International Music + Media Centre
Dance Screen
San Francisco Dance Film Festival 2013
catalogue #182
CORDA Foundation
2010
-Announcement
The Hartt School Announces Stephen Pier as Director of the Dance Division
by BWW News Desk Feb. 26, 2010
-Performance
2010
February 20 Saturday 2010 3:00pm
Shotorashion For Gagaku Ensemble and Dancers
Music From Japan
Merkin Concert Hall
-Review
The New York Times: The Arts 2/22/2010
Allan Kozinn/Music Review
"Shotorashion," a rhythmically vital, three-movement dance piece, with raucous sho figures and tactile percussion, closed the program. Stephen Pier and Maya Sakai danced their own choreography, with Mr. Pier taking a more modern, expressive approach in the outer movements, and Ms. Sakai dancing in a more traditional style.
-Performance
February 6, Saturday 2010 3:00pm
Shotorashion For Gagaku Ensemble and Dancers
Fukushima, Japan
-Review
February 7 TheYomiuri Shimbun, Japan
Shotorashion for Gagaku Ensemble and Dancers
Fukushima, Japan
2008-2011
"VISIONS and VOICES: Altria/ABT Women's Choreography Project"
-Panel Discussion & Presentation
February 1 & 2,2009 Sunday and Monday, 2009---7:30pm
"VISIONS and VOICES: Altria/ABT Women's Choreography Project"
Contact Guggenheim Museum: Works & Process
New York, NY
2008-2011
"VISIONS and VOICES: Altria/ABT Women's Choreography Project"
-Panel Discussion & Presentation
February 1 & 2,2009 Sunday and Monday, 2009---7:30pm
"VISIONS and VOICES: Altria/ABT Women's Choreography Project"
Contact Guggenheim Museum: Works & Process
New York, NY
-Announcement
March 25, 2008
ABT Announces Voices and Visions: The Altria/ABT Women's Choreography Project
Choreographic Initiative to Support New Commissions for ABT II and Mentoring Workshops for ABT Dancers
-Interview
November 28,2008
This week, we caught up with choreographer and Juilliard faculty member Stephen Pier, who’s leading the training, and ABT corps member Elizabeth Mertz, one of the five ballerinas taking part in it.
2008
Nameless Garden
M-deux Ballet Nagoya, Japan
-Review
Eri Karatsu --- Chacotte Online Review 2008
....was full of free spirit that it looked as if the dance had literally shaken the space and vibrated the air. I found some Eastern spirituality in it. Mr. Pier's choreography powerfully showed a spirit of modern dance
-Review
On Stage News Paper, Japan --- 2008/8/1
The nature is generated, withers, and reproduces in the Nameless Garden. Pier seems to have requested a spiritual deeper, more various spaces though was going to be compared to person's life.
The dancer crouched, beat the floor, and made up the space where the reality crosses with the unreality by complex movement getting on pungent music and the changed lighting of a little darkness.
2007
Dicapo Opera Theatre : Puccini Project : Messa di Gloria & Le Villi
Premiere : New York
-Review
Dr. Roberta E. Zlokower --- 1/12/2007
Puccini's Messa Di Gloria....Stephen Pier, the new work's choreographer had the Nilas Martins dance ensemble moving with up-stretched arms, all the while with feet firmly placed onstage....The dancers flowed with the chorus, in a structure that paired male dancers and male chorus, female dancers and female chorus, plus mixed gender performances, and, at times, the entire chorus or orchestra performed unaccompanied by dancers, for a constantly shifting focus in genre and aesthetic.
-Review
ANNE MIDGETTE --- the New York Times ---1/15/2007...striking performances of choreography by Stephen Pier ('Messa di Gloria')the 'Messa di Gloria' showed that Dicapo is capable of achieving a higher standard. And Mr. Pier's choreography reflected the bright, busy (sometimes cheesy) music in interesting ways. When the low voices intoned, 'Qui tollis peccata mundi,' he sent the male dancers across the front of the stage in Graham-like poses that were later embellished with the female dancers on a repeat when the women's voices joined in.
2006
Le Villi Nilas Martin Dance Company
Premiere : New York
-Review
Michael Popkin ----- Danceviewtimes ----- 4/3/2006
....there were also moments of substance and beauty, particularly in the works by Stephen Pier.
The most stunning of these works was the dance for Meunier by Stephen Pier to the soprano aria, 'Would I Could Be Like to the Flowers.'
.....the preceding work for Meunier by Pier, provided the real displays of 'passion' on this bill.
-Review
Eloquence in Motion New York Sun ----- 3/27/2006
By JOEL LOBENTHAL | March 27, 2006
...Ms. (Monique) Meunier's only appearance, in a solo choreographed by Stephen Pier, was the evening's highlight. Mr. Pier's solo, choreographed to an aria from 'Le Villi,' provided her with elements of earth-mother lamentation. Rising from the ground to her full height, her body palpitating with emotion as she stood on half pointe, Ms. Meunier ...is the kind of protean performer who, if paired with the right choreographic collaborators, could develop new possibilities of dance language and expression.
2004
-Review
Eclectic choreography on stage
Jennie Lay Steamboat Pilot & Today 7/23/2004
“Evening of Dance” closes with a new piece by guest artist Stephen Pier. Pier choreographed “Brilliant Sky” using the Perry-Mansfield dancers earlier this summer. Discussing the new work among Perry-Mansfield’s dance instructors, Keen called Pier’s new work “very modern and very important.”
The instructors agreed that this is a unique opportunity to see a dance with its original cast, showcasing the purest initial intent of the choreographer.
“He was thrilled with the dancers,” Kent said of Pier.
Archives -Reviews and Articles
2020.5.6 An Arts Journal - Dance Beat Deborah Jowitt on bodies in motion
2020.1.27 Dance Enthusiasts Article
2019.5.29 Oberon's Grove Limon
2019 Gus Solomons Jr. gussolomonsjrtest
2014.12.27 Notice Architanz Master Class
2014.7.7 Dance Infroma Jonathan Emanuell Alsberry’s Article
2013.12.27-29 Notice Master Class Architanz, Tokyo, Japan
2013.12.27 Architanz Master Class Tokyo, Japan
2013.9.17 Broadway World Interview
2013.5.3 Dance Informa Article
2012.9.6 NJ.com Dances for an iPhone
2011.7.26 Dance Indeed Master Class Saison/Morishita Studio
2010.3.18 The Yomiuri Shimbun Music From Japan:Shotorashion -Review : Actual News Paper Clip
2010.2.24 Broadway World The Hartt
2010.2.21 NT Times Music From Japan: Shotorashion
2010.2.7 The Yomiuri Shimbun Music From Japan:Shotorashion-Review : Actual News Paper Clip
2009. 9 The Juilliard Journal Article
2009.9.22 Broadway World The Hartt
2008/8/1 The Performing Arts Journal On Stage Japan
2008/6/30 Chunichi News , M-deux, Art/Entertain section Page 9 Review Japan
2008.3 The Juilliard Journal Article
2008.2 The Juilliard Journal Article
2007.12/2008.1 The Juilliard Journal Faculty News
2007.10 The Juilliard Journal Article
2007.1.15 NY Times Puccini Project - Dicapo Opera
2006.3.27 NY Sun Puccini: “Le Villi”
2006.3.25 DanceViewTime Puccini: “Le Villi”
2004.7.23 Steamboat Pilot & Today
2003.6.2 NY Times NY International Ballet Competition
2002.2.15 Data Base New National Ballet Japan
2001.8.1 NY Times Nilas Martins Ballet
2001.7.4 Village Voice BFD Jacob’s Pillow( same as above)
2001.7.3 Village Voice BFD Jacob’s Pillow
2001.6.22 New Berkshire.com BFD Pent-Up,Aching Rivers
1995.8.31-9.1 Data Base RDB Covent Garden
1995.5.23-25 Dance Magazine RDB OCPAC(Orange County Perf.Art Center)
1993.5.13 Data Base RDB Tokyo & Nagoya
1982.1.19 NY Times Bill Cratty
1981.11.16 NY Times Peter Sparling
BFD Collected Reviews on “Pent-up,Aching Rivers” and “Field of Loves"
BOOK:
Grace Under Pressure: Passing Dance Through Time
by Barbara Newman
Equipoise: The Life and Work of Alfredo Corvino
by Dawn Lille
WEBSITE QUOTE
CTFD SP Mentioned regarding “After the Dancing Stops.”